Exhibition: 1956, French embassy, Tel-Aviv

Solo exhibition, French embassy, Tel-Aviv, 1956. Exposed: oils, aquarelles and gouaches.

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Digital images © Ariel L. Szczupak 2008

Exhibition: 1955, Bezalel Museum, Jerusalem

Solo exhibition, Bezalel Museum, 1955. Curator: Mordechai Narkiss. Exposed: oils, aquarelles and gouaches (list below).

Israel being then under a regime of austerity, and canvas being scarce and expensive, some of the oils are on plywood or cardboard.

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Digital images © Ariel L. Szczupak 2008

Exhibition: 1954, Tel-Aviv Museum

Collective exhibition: "Young Israeli Painters", the Tel-Aviv Museum, 1954. Curator: Eugene Kolb. Exposed: "Chatter", "Ruth" and "Still Life", oils.

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Digital images © Ariel L. Szczupak 2008

The Four Elements

Oil on canvas, 60x120cm each, 1965

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Earth

Water

Air

Fire

"Although strongly influenced by Parmenides, who emphasized the unity of all things, Empedocles assumed instead that all matter was composed of four essential ingredients, fire, air, water, and earth, and that nothing either comes into being or is destroyed but that things are merely transformed, depending on the ratio of basic substances, to one another. Like Heracleitus, he believed that two forces, Love and Strife, interact to bring together and to separate the four substances. Strife makes each of these elements withdraw itself from the others; Love makes them mingle together. The real world is at a stage in which neither force dominates. In the beginning, Love was dominant and all four substances were mixed together; during the formation of the cosmos, Strife entered to separate air, fire, earth, and water from one another. Subsequently, the four elements were again arranged in partial combinations in certain places; springs and volcanoes, for example, show the presence of both water and fire in the Earth."

"Empedocles." Encyclopædia Britannica. 2008. Encyclopædia Britannica Online. 30 Apr. 2008 <http://www.britannica.com/eb/article-9032550>.


Digital images © Ariel L. Szczupak 2008